Hydroscope is the culmination of a research process begun in 2015, bringing together two opposing materials: water and electricity. Using sound vibrations and partially visible electronic and hydraulic mechanisms, the installation sets water into a shifting choreography of waves, droplets and reflections.

DEVIATION is a light installation made from glass shards collected around the world, transforming a material associated with danger, conflict and division into a field of reflected light. Inspired by Rutger Bregman’s research on human behaviour in times of crisis, the work shows how solidarity and cooperation can emerge from destruction, turning fragments of chaos into reflections of hope.

Mirage is a light installation that uses thousands of tiny points of light to create floating shapes and moving images. Visible from every angle, it creates a dreamlike world between suggestion and abstraction. Imagination and technology blur the line between what is real and what is virtual. 

II Lines is a site-specific light and sound installation that uses two horizontal LED lines to sharpen architectural perspective and set the space in motion. An eight-speaker soundscape heightens the sense of speed, merging with the light in a seamless, immersive flow.

ECO is an immersive artwork in which light and sound transform the environment through the movement of the participant’s hands. This initially individual gesture leaves a sonic and luminous trace that evolves with each activation, turning the work into a collective experience shaped by its audience.

SONOLUME is an interactive installation that turns music into a field of colour, vibration and light. Each note activates one of the 12 panels, making sound visible and physically present in space. Inspired by the long history of synesthesia in art, the work explores how music can be experienced not only through hearing, but through the whole body.

MODULAR by Camilo Parisi is a sculptural light installation built from industrial metal pipes that release bursts of light and smoke. The work transforms these raw, functional forms into something theatrical and almost alive, creating a striking play of glow, volume and atmosphere in space.

OUROBOROS begins with a year of wildlife data gathered from an ecosystem alongside active production. This ecological benchmark feeds an AI agent that endlessly reconstructs nature from its own outputs, forming a loop in which technology enters nature and nature feeds back into technology, blurring the boundary between the two.